Except where noted, all of the following songs are written by LennonMcCartney and all single and album releases are for the United Kingdom. "Live at Abbey Road Studios 2004" (complimentary booklet). ")/"The Right String (But the Wrong Yo-Yo)" (Speckled Red)/"Run for Your Life", "Kansas City" (Leiber-Stoller)/"Miss Ann" (Penniman-Johnson)/"Lawdy Miss Clawdy" (Price). [14] The various mixes of the recordings have appeared on many compilation albums and other releases. 1958 Phillips' Sound Recording Services. Der Kabalier Annenmaykantereit J.H.T.T. [51] Its production was limited to 250 pedals,[52] and went on sale on 16 May 2010. Billboard charts. The Beatles (pronunciado [ bitlz]), tambin conocida en el mundo hispano como los Beatles, fue una banda de rock britnica formada en Liverpool durante los aos 1960, estando integrada desde 1962 a su separacin en 1970 por John Lennon, Paul McCartney, George Harrison y Ringo Starr.Es ampliamente considerada como la banda ms influyente de todos los tiempos, siendo The album was released by Capitol Records in the United States and Canada and on the Parlophone label in the United Kingdom. A crisis ensued when Christensen was going through a palette of emotions while recording at the Abbey Road Studios. Danish designer MandOverBord subsequently used the picture for the band's eponymous debut album and singles, coloring the girl with more natural colors but also adding red laser beams coming from her eyes. The band's first new single in 19 years, "I Would If I Could but I Can't", was aired on the Danish radio station DR P3 on 5 January 2015. Trouvez aussi des offres spciales sur votre htel, votre location de voiture et votre assurance voyage. The band attended the film's second screening on 8 November 2010,[48] where they answered questions from the audience. [13] Shortly before the band went into "Don't Worry Kyoko", Lennon announced that Ono was "gonna do her thing all over you". [158] Only one song from this day has survived. (Producer), Glyn Johns (Engineer), Alan Parsons (2nd Engineer), "Get Back", "Teddy Boy", "Two of Us", "Dig a Pony", "I've Got a Feeling", "The Long and Winding Road", "Let It Be", "Rocker", "Save the Last Dance for Me", "Don't Let Me Down", "For You Blue", "The Walk", Production Staff: George Martin? Another 100,000 copies were sold in Japan. Musicians: John Lennon (acoustic guitar, vocals), George Harrison (tamboura, sitar), Ringo Starr (tomtoms), Production staff: George Martin (producer), Ken Scott and Martin Benge (engineer), Richard Lush and, "The Inner Light" (of take 5, numbered take 6), "Lady Madonna" (tape reduction take 3 into take 4, overdub onto take 4, tape reduction take 4 into take 5), Backing Vocals from take 3 - released with, "Lady Madonna" (remixes 1 and 2, from take 5). Lincoln and B.T. [1], Nick Foss had promised Christensen that if their debut album won gold (equal to 40,000 copies at that time), the next one would be recorded at the legendary Abbey Road Studios in London,[30][31] which would fulfill a boyhood dream of Christensen, who is an immense fan of The Beatles. Information on the recording dates is sketchy,[13] and much of the official documentation was lost in a fire. (2nd engineer), "I'll Cry Instead" (Section B) (takes 78), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums, vocals), Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer), Musicians: John Lennon (piano, rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (tambourine, drums), Musicians: John Lennon (rhythm guitar, tambourine, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Unknown (drums), "Long Tall Sally" (from take 1) released on, "I Call Your Name" (remixes 1 and 2, from takes 5 and 7), "I Call Your Name" (of mono remixes 1 and 2) released on, "When I Get Home" (remix 1, from take 11), "Any Time at All" (remix 1, from take 11), "I'll Cry Instead" (Section A) (from take 6), "I'll Cry Instead" (Section B) (from take 8), "I'll Cry Instead" (of mono remixes of takes 6 and 8) released on, "A Hard Day's Night" ("remix 3", from take 9) extended ending remix for use in the film, "Things We Said Today" (from take 3) released as the B-side to "A Hard Day's Night"; included on, "Any Time at All" (remix 2, for the UK, from take 11) released on, "Any Time at All" (remix 3, for the US, from take 11) released on, "When I Get Home" (remix 2, for the UK, from take 11) released on, "When I Get Home" (remix 3, for the US, from take 11) released on, "I'll Be Back" (remix 2, for the UK, from take 16) released on, "I'll Be Back" (remix 3, for the US, from take 16) released on, "And I Love Her" (remix 2, from take 21) released on, "And I Love Her" (from take 21) released on, "When I Get Home" (from take 11) released on, "Any Time at All" (from take 11) released on, "I'll Be Back" (from take 16) released on, "A Hard Day's Night" (from take 9) released on, "I Call Your Name" (of stereo remixes 1 and 2) released on, "Can't Buy Me Love" (from take 4) released on, "You Can't Do That" (from take 9) released on, "Things We Said Today" (from take 3) released on, "I'll Cry Instead" (of stereo remixes of takes 6 and 8) released on, "Things We Said Today" (copy of 22 June stereo remix). Together with Mads Langer, he recorded the EP Side Effects in 2014, of which "Bringing Back Tomorrow" became a hit. [31][37] "What Goes On" was later recorded for Rubber Soul. Kite!" Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Translator_(album)&oldid=1002801308, Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 26 January 2021, at 03:03. The record was less carefree than its predecessor, with a hint of bitterness especially in regard to the state of the music industry. [11] He signed them to the label[22] and went into the studio with them for three months. https://da.wikipedia.org/w/index.php?title=Kategori:Rockgrupper_fra_Danmark&oldid=9705062, Commons-kategori p Wikidata er ens med lokalt link, Creative Commons Navngivelse/Del p samme vilkr 3.0. Gonzalez, Michael Jose (25 November 2011). [16] Before the start of the Plastic Ono Band's performance, they were introduced by Kim Fowley,[5] and Lennon said to the crowd that the group were going to play only songs that they actually knew. [40] Although the band were sceptical about this at first,[40] Dizzcography (a portmanteau of 'Dizzy' and 'discography') was released on March 29, 2010 as a 4-CD or 8-vinyl record box set, containing remasters of all previously released material (the band's two studio albums Dizzy Mizz Lizzy and Rotator and the live album Live in Aarhus '96), and the compilation album The Rest of Dizzy Mizz Lizzy which comprises the original 1993 demo, two B-sides and the tracks from the live album Live in Japan. [20][27] They worked on some demos in January 1998,[15] but did not find the band dynamics revitalized,[8] and the trio decided to split up on 10 March 1998[31] when discussing the future of the band on a bench in the Rosenborg Castle Gardens. (Producer), Glyn Johns (Engineer), unknown (2nd Engineer), "Two of Us", "The Long and Winding Road", "Lady Madonna", "I've Got a Feeling", "Dig It", "Maggie May", "Shake Rattle And Roll", "Kansas City", "Miss Ann", "Lawdy Miss Clawdy", "Blue Suede Shoes", "You Really Got a Hold on Me", Production Staff: George Martin? As of 2020 Emerick's family are involved in legal proceedings with Universal Music, current owners of the Beatles' back catalogue, as to who legally owns the tape. Password requirements: 6 to 30 characters long; ASCII characters only (characters found on a standard US keyboard); must contain at least 4 different symbols; During the band's 2009 reunion, the mascot was used in promotional material and on stage, and appeared in a duotone black and white portrayal on the front of the 2010 Dizzcography box set. [20] These bands have all had a significant place in the 1990s revival and the further development of rock in Denmark,[1][6] but of which Dizzy Mizz Lizzy has been the most successful. [20] With their stage remarks, Lennon and Ono linked their appearance there to their ongoing campaign for peace. Mono mixdown released on as a single on 5January 1962, Edited (intro removed) and stereo mixed (1964), Edited (spoken word by McCartney superimposed over the intro) and stereo mixed (1990s) released on, Mono mixdown released on as a single on 23 October 1961 (Germany), Mono mixdown released as the B-side to "My Bonnie", Edited, extra instruments added and mono mixed (1964), Extra drums added and mono mixed (1964) released on, Paul McCartney backing vocals, bass guitar, Vocal overdub by Sheridan (3 January 1964), Extra instruments added and mono mixed (1964), John Lennon backing vocals, rhythm guitar, "Bsame Mucho" (Velzquez/Skylar) (take 1)- destroyed, Chris Neal second engineer (tape operator), Mono mixed (from an unknown take) released as a single on 5October 1962; included on, John Lennon harmonica, rhythm guitar, vocals, "P.S. Recorded on June 17, 1965, in 13 takes. [13] Ono, with the help of Rob Stevens from Quad Recording,[13] supervised a remixing of Live Peace in Toronto 1969 for its compact disc issue,[nb 6][32] released on 1 May 1995. The band included Eric Clapton, Klaus Voormann, and drummer Alan White. The studio session tapes are kept at Abbey Road Studios, formerly known as "EMI Recording Studios," where the Beatles recorded most of their music. "[8] The group had two quick rehearsals before appearing on stage. Recorded at the Toronto Rock and Roll Revival festival, it was the first live album released by any member of the Beatles separately or together. Live Peace in Toronto 1969 is a live album by the Plastic Ono Band, released in December 1969 on Apple Records. [6] Lennon had talked to Clapton's management, but Clapton himself did not yet know that Lennon had invited him to perform and was not even aware of the concert. [25] A complete tape of this session surfaced after the death of sound engineer Geoff Emerick on 2 October 2018. John had it a week and passed it on to me. [40] No stereo mixes were ever made from the master recordings, and later stereo releases of the songs are in fake stereo or are combined with the recordings made on 13March 1964 for the German-language version. The session tapes were later destroyed, thus there are no true stereo versions of the songs, although at least one mono recording has been discovered. The same photo hung in my home, and when we were searching for a cover for our first release (the 1993 promo), we felt it was a great idea to use the picture of her as a sort of mascot or logo. Poulsen, Jan (February 2010). Atlantic Records added extra instruments to two songs for a release in 1964. In the case of Dizzy Mizz Lizzy, these were all taken from their eponymous debut album. [20] One notable fan is Crown Prince Frederik,[24] who is an outspoken lover of rock music,[25] and who has attended many of their concerts. And they refused to put it out. Shop your style at Shopbop.com! Lacey Sturm - Life Screams (2016) Ed Kowalczyk - The Flood And The Mercy (2013) Jeremy Camp - I Will Follow [Deluxe Edition] (2015) Diviner - Fallen Empires (2015) [12] Later attempts at expanding to a quartet with an extra guitarist failed,[11] and critics would explain: "From the outset it was clear that Tim Christensen was the group's undisputed center, but the band benefited significantly from the collective dynamics. The session tapes were most likely erased, and none of the discs are known to have survived. [61] It instantly became the best sold vinyl record in Denmark of 2017. Recording. Recorded 9 January 1969, at Twickenham Film Studios. ", "Be-Bop-A-Lula", "Ain't She Sweet" (Studio Jams), "Sun King/Mean Mr. Mustard" (SI onto take 35), "Polythene Pam"/"She Came in Through the Bathroom Window" (takes 139), "Polythene Pam/She Came in Through the Bathroom Window (SI onto take 39), "Polythene Pam/She Came in Through the Bathroom Window (tape reduction take 39 into take 40), "You Never Give Me Your Money" (tape reduction take 30 into takes 37 42), "Polythene Pam/She Came in Through the Bathroom Window (SI onto take 40), "You Never Give Me Your Money" (SI onto take 40), "You Never Give Me Your Money" (remix 1 from take 40), "Sun King/Mean Mr. Mustard" (remix 1 from take 35), "Polythene Pam/She Came in Through the Bathroom Window (remix 1 from take 40), "Golden Slumbers/Carry That Weight" (remix 1 from take 17), Editing, crossfading and tape compilation Abbey Road Medley, "You Never Give Me Your Money" (SI onto 30), "Something" (unnumbered rough mix from take 39), "Here Comes the Sun" (unnumbered rough mix from take 15), Production Staff: George Harrison (Producer), Phil McDonald (Engineer), Alan Parsons (2nd Engineer), "You Never Give Me Your Money" (sound effects takes 1 5), "Maxwell's Silver Hammer" (tape reduction takes 21 into takes 2227 with simultaneous SI), "Maxwell's Silver Hammer" (remixes 14 26 from take 27), Production Staff: George Martin (Producer), Tony Clark/Phil McDonald (Engineer), John Kurlander (2nd Engineer), "Come Together" (remixes 1 10 from take 9), "I Want You (She's So Heavy)" (SI onto unnumbered master), Production Staff: George Martin (Producer), Tony Clark (Engineer), Alan Parsons (2nd Engineer), "I Want You (She's So Heavy)" (of take 1), "I Want You (She's So Heavy)" (from take 1 into unnumbered master), "Oh! For the reunion tour, Christensen and Rasmus Meyer of Danish guitar pedal manufacturer Carl Martin designed a signature Dizzy Drive with knobs for level, tone, drive and edge. On February 19, 1958, he entered the Radio Recorders studio in Hollywood, California, to record a potential follow-up. 24, Winn, John C. (2003). [56], On October 20, 2014, Christensen wrote the abbreviation "DML2015" on his Facebook wall, indicating a second reunion of his former band Dizzy Mizz Lizzy. Sutcliffe attended the session but did not play. "I've Just Seen a Face" is a song by the English rock band the Beatles. It was written by George Harrison, the group's lead guitarist, and released in August 1965 on the Help! Sider for redaktrer som er logget ud lr mere. All 1080p Micro 1080p Micro 720p Micro 2160p Xvid. It peaked at number 69 during the week ending April 19, 1958. In Denmark, they played dozens of shows which fatigued both the band and the fans,[13][20] while the problems that arose during the recording of Rotator also pursued the band on tour. Recorded 3 January 1969, at Twickenham Film Studios.. Except that now, it's no longer: 'Will Dizzy ever reunite?' [8], On September 15, 2009, the band announced they would hold a small reunion tour in Spring 2010, with concerts in Odense, Aarhus (2 shows), Aalborg, Esbjerg (2 shows) and Copenhagen (4 shows). The song is included on the Plastic Ono Band album Live Peace in Toronto 1969. [1] The album reached gold status the very day it went on sale on 24 May 1996, and appeared to live up to the notorious expectations for a worthy sequel to their debut album. Love These Goon Shows! Matchbox. Dense and energetic, making one wonder why there are only three men on stage. "Bad Boy" is one of several Larry Williams songs the English rock band the Beatles recorded during their career. The Beatles did not pass the audition, but their manager, Brian Epstein, kept the reel-to-reel tapes to present to other record producers. The Beatles recorded their fourth single, "She Loves You", on 1July in Studio 2. "Dizzy Mizz Lizzy - Dizzy Mizz Lizzy" (foreword in reissued Dizzy Mizz Lizzy CD booklet, part of the Dizzcography box set). [13] They performed the Beatles' "Yer Blues", because Clapton had performed it with Lennon for The Rolling Stones Rock and Roll Circus,[5][17] and his two solo songs, "Give Peace a Chance" and "Cold Turkey", the latter of which had its premiere at the festival. [1] While most have never been officially released, their outtakes and demos are seen by fans as collectables, and some of the recordings have appeared on countless bootlegs. In 1981, Lowe sold the record to McCartney for an undisclosed amount. I have one hanging in my apartment. The band recorded the track on 17 February that year at EMI Studios in London. Pepper's Lonely Hearts Club Band" (remixes 2 and 3 from take 10), "Sgt. He re-recorded his vocals for "Sweet Georgia Brown" on 3January 1964 to contain a reference to the Beatles' fame. [45] Their performance at the Roskilde Festival coincided with Christensen's 36th birthday. The Beatles Recorded Legacy, volume 1: Way Beyond Compare, 19571965, page 29, 31, Sulpy, Doug; Schweighhardt, Ray (2007). [28] When the original was later released on compilations, it had to be sourced from an original mono 45rpm single. [5], Group biographer Ian MacDonald describes the song as "an unprepossessing shambles of ersatz hysteria and jumbled double-tracking". The grand prize also contained a spot in the travelling Rock Show '93 and performances at the L'Europe d'Art d'Art festival in Niort, France, the Nordic Rock '93 competition that they also won, and all the major Danish summer festivals. "Bad Boy" is a song written and recorded by American R&B musician Larry Williams. [2] Their third studio album Forward in Reverse (2016), and its successor Alter Echo (2020) were both released to critical acclaim and helped regain their position as Denmark's most popular rock band. (remix 2, from take 12) released on, "This Bird Has Flown" (working title of ", Musicians: John Lennon (acoustic guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, sitar), Ringo Starr (drums, finger cymbals, maracas, tambourine), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, piano?, vocals), George Harrison (lead guitar, vocals), Ringo Starr (cowbell, drums), "If I Needed Someone" (overdub onto take 1), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums, tambourine), "We Can Work It Out" (overdub onto take 2), Musicians: John Lennon (harmonium, rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums, tambourine), "Norwegian Wood (This Bird Has Flown)" [re-make] (takes 24), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (sitar), Ringo Starr (tambourine), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (piano), Production staff: George Martin (producer), Stuart Eltham and Norman Smith (engineer), Mike Stone and Ken Scott (2nd engineer), "I'm Looking Through You" (overdub onto take 1) released on, Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, organ?, vocals), George Harrison (lead guitar, vocals), Ringo Starr (maracas), "Drive My Car" (from take 4) released on, "If I Needed Someone" (from take 1) released on, "Norwegian Wood (This Bird Has Flown)" (from take 4) released on, "Nowhere Man" (from take 4) released on, "We Can Work It Out" (remix 1, from take 2), Production staff: George Martin (producer), Norman Smith (engineer), Jerry Boys (2nd engineer), "We Can Work It Out" (remixes 2 and 3, from take 2) remix 2 released as a double A-sided single with "Day Tripper"; included on, "Day Tripper" (remixes 2 and 3, from take 3) remix 2 released as a double A-sided single with "We Can Work It Out"; included on, Musicians: John Lennon (vocals), Paul McCartney (vocals), "Michelle" (tape reduction take 1 into take 2, overdub onto take 2), Musicians: John Lennon (lead guitar, rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, tone pedal guitar), Ringo Starr (drums), George Martin (harmonium), Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Graham Platt (2nd engineer), "I'm Looking Through You" [re-make] (takes 23), Musicians: John Lennon (rhythm guitar), Paul McCartney (bass guitar), George Harrison (lead guitar), Ringo Starr (drums), "Won't Be There with You" (working title of ", "The Beatles' Third Christmas Record" (takes 13), Musicians: John Lennon (rhythm guitar), Paul McCartney (bass guitar, fuzz bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), "The Beatles' Third Christmas Record" (of takes 13), "What Goes On" (from take 1) released on, "Run for Your Life" (from take 5) released on, "Think for Yourself" (from take 1) released on, "The Beatles' Third Christmas Record" (from edit of takes 13), "Michelle" (remix 1, from take 2) released on, "I'm Looking Through You" [re-re-make] (take 4), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (harmonium), Production staff: George Martin (producer), Norman Smith (engineer), Jerry Boys and Ken Scott (2nd engineer), "I'm Looking Through You" (overdub onto take 4), Musicians: John Lennon (acoustic and rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, tone pedal guitar, vocals), Ringo Starr (drums), George Martin (harmonium), Production staff: George Martin (producer), Norman Smith (engineer), Mike Stone and Ken Scott (2nd engineer), "I'm Looking Through You" (from take 4) released on, "You Won't See Me" (from take 2) released on, "Wait" (remix 2, from take 4) released on, "The Word" (remix 2, from take 3) released on, "Michelle" (remix 2, from take 2) released on, Production staff: George Martin (producer), Norman Smith (engineer), Richard Lush (2nd engineer), Musicians: John Lennon (vocals), Paul McCartney (bass guitar), George Harrison (lead guitar), Ringo Starr (drums), "Mark I" (working title of "Tomorrow Never Knows") (overdub onto take 3), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (organ), Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer), "Got to Get You into My Life" (takes 68), "Got to Get You into My Life" (overdub onto take 8), Musicians: Paul McCartney (bass guitar, vocals), George Harrison (acoustic guitar, lead guitar, sitar, vocals), Anil Bhagwat (tabla), "Granny Smith" (tape reduction take 6 into take 7, overdub onto take 7), "Granny Smith" (remixes 13, from take 7), Production staff: George Martin (producer), Geoff Emerick (engineer), Richard Lush (2nd engineer), "Paperback Writer" (remixes 1 and 2, from take 2) remix 1 or 2 released as a single; included on, George Harrison: Backing Vocals, Lead Guitar, "Rain" (overdub onto take 5, tape reduction take 5 into take 6, takes 78), "Rain" (remixes 14, from take 7) remix 3 released as the B-side to "Paperback Writer"; included on, "Doctor Robert" (remixes 13, from take 7), "And Your Bird Can Sing" (remixes 15, from take 2), "Taxman" (tape reduction take 11 into take 12, overdub onto take 12), "Got to Get You into My Life" (remixes 1 and 2, from take 8), "And Your Bird Can Sing" [re-make] (takes 313, overdub onto take 10), "And Your Bird Can Sing" (remix 6, from take 10), "Eleanor Rigby" (remixes 13, from take 15), "I'm Only Sleeping" (overdub onto take 11), rehearsal and take 1, "I'm Only Sleeping" (overdub onto take 11), "I'm Only Sleeping" (overdub onto take 11, tape reduction take 11 into takes 12 and 13), "I'm Only Sleeping" (remixes 14, from take 13), "I'm Only Sleeping" (remix 5, from take 13), "And Your Bird Can Sing" (remixes 7 and 8, from takes 10 and 6), "And Your Bird Can Sing" (of mono remixes 7 and 8), Production staff: George Martin (producer), Geoff Emerick (engineer), Jerry Boys (2nd engineer), "Granny Smith" (copies of remix mono 3, numbered mono remixes 4 and 5), "For No One" (overdub onto take 10, tape reduction take 10 into takes 13 and 14 [no takes numbered 11 or 12]), "Got to Get You into My Life" (overdub onto take 8, tape reduction take 8 into takes 9-11), "Got to Get You into My Life" (remixes 1 and 2, from take 9), "And Your Bird Can Sing" (remixes 1 and 2, from takes 10 and 6), "Doctor Robert" (remixes 1 and 2, from take 7), "I'm Only Sleeping" (remixes 1 and 2, from take 13), "And Your Bird Can Sing" (of stereo remixes 1 and 2), "Doctor Robert" (of stereo remixes 1 and 2), Production staff: Geoff Emerick (engineer), Phil McDonald (2nd engineer), "Laxton's Superb" (also "I Don't Know", both working titles of ", "Yellow Submarine" (remix 1, from take 5), "Laxton's Superb" (also "I Don't Know") (overdub onto take 4), "Laxton's Superb" (also "I Don't Know") (remixes 14, from take 4), "Yellow Submarine" (remixes 15, from take 5), "I Want to Tell You" (two copies of remix mono 1, numbered mono remixes 5 and 6), "And Your Bird Can Sing" (remixes 9 and 10, from takes 10 and 4), "I'm Only Sleeping" (remixes 5 and 6, from take 13), "Tomorrow Never Knows" (remixes 1012, from take 3), "And Your Bird Can Sing" (of mono remixes 9 and 10), "A Good Day's Sunshine" (working title of ", "A Good Day's Sunshine" (overdub onto take 1), "A Good Day's Sunshine" (remixes 16, from take 1), "Here, There and Everywhere" (takes 513, tape reduction take 13 into take 14, overdub onto take 14), "Here, There and Everywhere" (overdub onto take 14), "Got to Get You into My Life" (overdub onto take 9), "Got to Get You into My Life" (remixes 37, from take 9), "Here, There and Everywhere" (remix 1, from take 14), "Got to Get You into My Life" (tape copying of remix 7 into remix 8 with overdub added from take 8), "I Want to Tell You" (remixes 1 and 2, from take 4), "Here, There and Everywhere" (remixes 1 and 2, from take 14), "Here, There and Everywhere" (remixes 2 and 3, from take 14), "For No One" (remixes 7 and 8, from take 14), "Doctor Robert" (remixes 46, from take 7), "She Said She Said" (remixes 13, from take 4), "Eleanor Rigby" (remixes 4 and 5, from take 15), "She Said She Said" (remix 4, from take 4), "Good Day Sunshine" (remix 7, from take 1), "She Said She Said" (remix 1, from take 4), "Good Day Sunshine" (remix 1, from take 1), "Yellow Submarine" (remixes 1 and 2, from take 5), "Tomorrow Never Knows" (remixes 16, from take 3), "Got to Get You into My Life" (remix 1, from take 9), Production staff: George Martin (producer), Geoff Emerick (engineer), Mike Stone (2nd engineer), Production staff: Geoff Emerick (engineer), "This Boy" (of stereo remixes 1 and 2) released on, "Strawberry Fields Forever" (take 1) released with the, Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer), "Pantomime: Everywhere It's Christmas" (takes unknown), Production Staff: George Martin (Producer), N/A (Engineer), Unknown (2nd Engineer), "Strawberry Fields Forever" (takes 2 4), "Strawberry Fields Forever" (remixes 13 from take 4), "Strawberry Fields Forever" (takes 56, tape reduction take 6 into take 7, SI onto take 7), "Strawberry Fields Forever" (remixes 13 from take 7), "Pantomime: Everywhere It's Christmas" (from unknown take numbers), Production Staff: Tony Barrow (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer), Production Staff: Dave Harris/George Martin (Producer), Dave Harris/Geoff Emerick (Engineer), Phil McDonald (2nd Engineer), "Strawberry Fields Forever" (re-make takes 9 24), "Strawberry Fields Forever" (of takes 15 and 24), "Strawberry Fields Forever" (tape reduction from edit of takes 15 and 24 into take 25, SI onto take 25), "Strawberry Fields Forever" (remix 4 from take 25), "Strawberry Fields Forever" (SI onto take 25), "Strawberry Fields Forever" (SI onto take 25, tape reduction take 25 into take 26, SI onto take 26), "Strawberry Fields Forever" (remixes 59 from take 26), "When I'm Sixty-Four" (SI onto take 2, tape reduction take 2 into takes 3 and 4), "When I'm Sixty-Four" (remixes 13 from take 4), "Strawberry Fields Forever" (SI onto take 26), "Strawberry Fields Forever" (remix 10 from take 7 and remix 11 from take 26), "Strawberry Fields Forever" (of mono remixes 10 and 11, edit unnumbered remix 12), "When I'm Sixty-Four" (remixes 4 7 from take 4), "Strawberry Fields Forever" (of mono remix 12, numbered remix mono 13), "Strawberry Fields Forever" (remix 1 from take 7, remixes 2 and 4 from take 26), "Strawberry Fields Forever" (stereo remixes 1 and 2 edited together as remix 3, stereo remixes 1 and 4 edited together as remix 5), take 6 / instrumental released with the, "Penny Lane" (remixes 1 and 2 from take 6), "When I'm Sixty-Four" (remix 8 from take 4), "Strawberry Fields Forever" (of remix mono 12), "Penny Lane" (tape reduction take 6 into take 7, SI onto take 7), "Penny Lane" (remixes 1 and 2 from take 7), ""Strawberry Fields Forever" (of Remix Mono 12), "Untitled" (AKA "Carnival of Light") (Take 1), "Untitled" (AKA "Carnival of Light") (from take 1), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil Mcdonald (2nd Engineer), "Penny Lane" (SI onto take 7, tape reduction take 7 into take 8, SI onto take 8,tTape reduction take 8 into take 9), "Penny Lane" (Remixes 5 and 6, from take 9), Vocal Overdubs and Speech released with the, "Penny Lane" (Remixes 7 and 8, from take 9), "In the Life Of" (working title of "A Day in the Life") (Takes 14), "A Day in the Life" (tape reduction take 4 into takes 57, SI onto take 6), "Penny Lane" (Remixes 1214, from take 9), "A Day in the Life" (Remix 1, from take 6), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer), "Sgt. 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